arts eclectic

This month, Austin will host the second annual OUTsider Festival. The fest, which will last five days, aims to celebrate the diverse nature of the LBGTQI creative community.

Granite sculptor Jesús Moroles was a large figure in the Texas arts community, well known for both his enormous  artworks and his enormous energy and generosity. Among his many awards, he received a United States National Medal of Arts in 2008. His untimely death in an automobile accident last year was a shock and a large blow to his friends at the Umlauf Sculpture Garden.

This weekend, the Institution Theater will unveil the sixth installment in their "Jukebox Musical Project," which combines a historical period or event with the music of a popular entertainer with no apparent connection to that event.

The Institution's Asaf Ronen was inspired to create the project after seeing a youtube video created by actress Rachel Bloom using the music of Sugar Ray. "As is my wont," he remembers, "when I see someone else do something, I want to do something like it."

FronteraFest Turns 23

Jan 16, 2016

FronteraFest has a been a staple of the Austin theater community for nearly a quarter of a century. As perhaps the premier fringe theater festival in the southwest USA, FronteraFest has given hundreds of artists an opportunity to present their works to an accepting audience.

Kenneth Gall Photography

For writer/actor Alex Garza, performing Abuelita's Christmas Carol has become a holiday tradition. It began nearly a decade ago, when he wrote the play as a tribute to his late grandmother. For that first performance, the show was a traditional play, with different actors playing the various characters and Garza taking on the title role, a character based on his grandmother.

This holiday season in Round Rock, Penfold Theatre Company is presenting a new but still pretty old-fashioned take on Charles Dickens' classic A Christmas Carol.

This version of the story (adapted by Penfolds's Nathan Jerkins) takes place in a the fictional KPNF radio station sometime in the 1930s or '40s, where a group of actors are presenting a radio drama version of the familiar holiday tale. In keeping with radio play tradition, the actors will be playing multiple roles and creating their own sound effects live on stage.

One chilly and rainy night forty years ago, Bruce Willenzik, an employee at the Armadillo World Headquarters, was chatting with a young singer named Lucinda Williams when the topic turned to the artists who made their livings selling their wares outside on the Drag. As Willenzik remembers it, Williams remarked "It's too bad those artists don't have a warm dry place like this to sell in."

The history of La Pastorela dates back many centuries. The play has been performed during the Christmas season by amateur and professional artists, in theaters and churches, in Mexico and in Mexican communities since the middle part of the last millennia.

It's long been a tradition to stage La Pastorela in Austin, too. After financial difficulties kept ALTA (Austin Latino Theater Alliance) from being able to stage the play last year, director Rupert Reyes set to work to ensure it could return in 2015. His production company, Teatro Vivo, will be staging La Pastorela this holiday season at the Mexican American Cultural Center.

The Wimberley Players are currently presenting Other Desert Cities, by playwright Jon Robin Baitz. The play, which was a finalist for the 2012 Pulitzer Prize for drama, centers around a contentious family gathering on Christmas Eve.

Michael Lee

Brently Heilbron started performing standup comedy at the tender age of 14, which means he's now been in the business for close to a quarter century. So when he says that the current scene in Austin is "an incredible time in comedy that I haven't seen in years," he's speaking with a certain level of authority.

Steve Rogers

As a story, Frankenstein feels like a pretty good fit for the folks of Trouble Puppet Theater Company. It's a classic tale, with monsters and dark imagery of the sort that Trouble Puppet excels at. It's also ripe for fresh interpretations, which Trouble Puppet always enjoys.

Ten years ago, improv performers Roy Janik, Kaci Beeler, Kareem Badr, and Valerie Ward compiled a list of 300 possible troupe names, rejected them all, and then ended up calling themselves Parallelogramophonograph almost as a joke.

"Picking a name is the hardest park of being in a band or an improv troupe," Janik explains. "Once you pick an amazing name  that's super-easy to google and spell, like Parallelogramophonograph, it's a piece of cake."

Founded in 2005, the Umlauf Prize is a yearly award bestowed upon a deserving UT Austin graduate student in Art. After a several-year hiatus, the prize was reinstated in 2014 and continues this year with, for the first time, two winners.

On October 30 and 31, Wizard World Comic Con returns to Austin, and it'll feature all the stuff you expect in such an event. There will be plenty of special guests, mostly familiar faces from geek-friendly and/or genre movies and TV shows (including Evil Dead's Bruce Campbell and RoboCop/Buckaroo Banzai portrayer Peter Weller among others), but also a surprising number of sports figures (including Texas legend Earl Campbell, no relation to Bruce). There will be lots of comic book writers and artists. There will be panel discussions such as "How to Write Comics" and "Diversity in Geek Culture." There will be lots of comics and colletables for sale and lots of people in elaborate costumes.

This Saturday night, The Vortex is hosting 'Salvador Dali's Naked Feast," a performance/cocktail party that will also serve as a fundraiser for the upcoming Vortex season.

The entire Vortex compound (which now includes the theater space itself, the Butterfly Bar,  and Patrizi's Italian Restaurant) will be overtaken by the party, which will feature aerial performances, live music, dance, food, cocktails, and more. 

The dark comedy Mr. Burns, A Post-Electric play debuted to acclaim and award nominations in 2012, and this fall it makes its regional debut in Austin, courtesy of the theater program at St. Edward's University. David Long, artistic director of St. Ed's Mary Moody Northen Theatre, was keen to bring Mr. Burns to Austin because he was "excited about not only the premise, but the content, dealing with something that travels in time, and most importantly... the importance of community [and] theater."

Nat & Veronica (Nat Kusinitz and Veronica Hunsinger-Loe) are theater artists from New Orleans, and they're currently partnering with Austin's Rude Mechs to bring their show She Was Born to local audiences.

Hands Up Hoodies Down was originally staged in March of this year at the Vortex, but its origins go back to 2012, when the killing of Trayvon Martin affected Miller, in his words, "not only as an artist, but also as a dad."

In the years since, he continued to read more and more news stories about the violent deaths of black Americans, often at the hands of police officers. "It just got to the point, for me as an artist," Miller says, "I felt like I needed to say something." 

The Warriors: A Love Story, from ARCOS Dance, isn't an easy show to sum up, even for its creators. It's a multimedia piece, using all the arrows in the ARCOS quiver: film, interactive video projections, live and recorded music, dance, theatrical elements, text, and narration. They've worked to make all those elements work together, though, "in a way that doesn't feel like there are multiple media; we try to make it feel like as immersive an experience as possible for the audience," says co-director Eliot Gray Fisher. "You can't just call it theater or dance...we've been struggling with what to call it. We're calling it 'multimedia performance' because that's kind of broad."

Ebony Stewart's 'Hunger'

Aug 26, 2015

Spoken word artists Ebony Stewart has been a big part of the Austin slam poetry scene for about a decade, but she's never created a full-length solo show until now. Her new one-woman show, Hunger, has been a long time coming, she says. 

The show is based on Ebony's difficult relationship with her own father."It basically stems from the idea of me trying to get over my daddy issues," she says. "I feel like I am constantly mourning not having the father that everyone else has." The title Hunger refers her need and desire for a positive male role model. "I crave my dad," Ebony says.  "I crave having that experience or that relationship, or being reared by a man."

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