arts eclectic

Errich Petersen

"Reina has this uncanny ability to mash together hard science and the most fantastical myths that you’ve ever heard of," says director Liz Fisher of Reina Hardy, the writer of the new play The Afterparty. "That seems like a really unlikely pairing, and yet through the sort of beautiful alchemy that only she can do, she creates these stories that are beautifully human and... universal in their themes -- these ideas of love, of loss, of moving on, of hope, with a whole lot of magic."

Austin's Nook Turner started the Jump On It Summer Music Festival way back in the '90s, when he was just a teenager. Twenty-one years later, the festival has grown larger and more ambitious than ever. The fest has always featured live music (including hip hop, jazz, and R&B) and an educational component, but this year they're expanding both of those efforts.

This weekend, Spectrum Theatre Company is presenting two staged readings of the new play Juneteenth Chronicles, by local playwright Abena Edwards. The play is drawn from the actual words of former slaves, who were interviewed in 1937 by the Federal Works Project Administration. Transcripts of those interviews now reside in the Library of Congress.

Artist Alfonso Huerta did not set out to become a printmaker. In fact, he resisted the idea as long as he could. He studied art in his native Mexico in the late 1990s, and focused on painting. But his focus eventually changed after he moved to Austin.

Austin dance company Performa/Dance will present its fourth full-length show, Artist and Muse., on June 1 and 2. The program will feature four dances, including two longform works and two shorter pieces.

"We're doing two works about female choreographers who are talking about female artists," says Performa/Dance artistic director Jennifer Hart. "I have choreographed a piece called Camille: A Story of Art and Love, and it's about Camille Claudel. She was a sculptor in the earlier 20th century, artist and muse of Auguste Rodin."

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