arts eclectic

The Wimberley Players are currently presenting Other Desert Cities, by playwright Jon Robin Baitz. The play, which was a finalist for the 2012 Pulitzer Prize for drama, centers around a contentious family gathering on Christmas Eve.

Michael Lee

Brently Heilbron started performing standup comedy at the tender age of 14, which means he's now been in the business for close to a quarter century. So when he says that the current scene in Austin is "an incredible time in comedy that I haven't seen in years," he's speaking with a certain level of authority.

Steve Rogers

As a story, Frankenstein feels like a pretty good fit for the folks of Trouble Puppet Theater Company. It's a classic tale, with monsters and dark imagery of the sort that Trouble Puppet excels at. It's also ripe for fresh interpretations, which Trouble Puppet always enjoys.

Ten years ago, improv performers Roy Janik, Kaci Beeler, Kareem Badr, and Valerie Ward compiled a list of 300 possible troupe names, rejected them all, and then ended up calling themselves Parallelogramophonograph almost as a joke.

"Picking a name is the hardest park of being in a band or an improv troupe," Janik explains. "Once you pick an amazing name  that's super-easy to google and spell, like Parallelogramophonograph, it's a piece of cake."

Founded in 2005, the Umlauf Prize is a yearly award bestowed upon a deserving UT Austin graduate student in Art. After a several-year hiatus, the prize was reinstated in 2014 and continues this year with, for the first time, two winners.

On October 30 and 31, Wizard World Comic Con returns to Austin, and it'll feature all the stuff you expect in such an event. There will be plenty of special guests, mostly familiar faces from geek-friendly and/or genre movies and TV shows (including Evil Dead's Bruce Campbell and RoboCop/Buckaroo Banzai portrayer Peter Weller among others), but also a surprising number of sports figures (including Texas legend Earl Campbell, no relation to Bruce). There will be lots of comic book writers and artists. There will be panel discussions such as "How to Write Comics" and "Diversity in Geek Culture." There will be lots of comics and colletables for sale and lots of people in elaborate costumes.

This Saturday night, The Vortex is hosting 'Salvador Dali's Naked Feast," a performance/cocktail party that will also serve as a fundraiser for the upcoming Vortex season.

The entire Vortex compound (which now includes the theater space itself, the Butterfly Bar,  and Patrizi's Italian Restaurant) will be overtaken by the party, which will feature aerial performances, live music, dance, food, cocktails, and more. 

The dark comedy Mr. Burns, A Post-Electric play debuted to acclaim and award nominations in 2012, and this fall it makes its regional debut in Austin, courtesy of the theater program at St. Edward's University. David Long, artistic director of St. Ed's Mary Moody Northen Theatre, was keen to bring Mr. Burns to Austin because he was "excited about not only the premise, but the content, dealing with something that travels in time, and most importantly... the importance of community [and] theater."

Nat & Veronica (Nat Kusinitz and Veronica Hunsinger-Loe) are theater artists from New Orleans, and they're currently partnering with Austin's Rude Mechs to bring their show She Was Born to local audiences.

Hands Up Hoodies Down was originally staged in March of this year at the Vortex, but its origins go back to 2012, when the killing of Trayvon Martin affected Miller, in his words, "not only as an artist, but also as a dad."

In the years since, he continued to read more and more news stories about the violent deaths of black Americans, often at the hands of police officers. "It just got to the point, for me as an artist," Miller says, "I felt like I needed to say something." 

The Warriors: A Love Story, from ARCOS Dance, isn't an easy show to sum up, even for its creators. It's a multimedia piece, using all the arrows in the ARCOS quiver: film, interactive video projections, live and recorded music, dance, theatrical elements, text, and narration. They've worked to make all those elements work together, though, "in a way that doesn't feel like there are multiple media; we try to make it feel like as immersive an experience as possible for the audience," says co-director Eliot Gray Fisher. "You can't just call it theater or dance...we've been struggling with what to call it. We're calling it 'multimedia performance' because that's kind of broad."

Ebony Stewart's 'Hunger'

Aug 26, 2015

Spoken word artists Ebony Stewart has been a big part of the Austin slam poetry scene for about a decade, but she's never created a full-length solo show until now. Her new one-woman show, Hunger, has been a long time coming, she says. 

The show is based on Ebony's difficult relationship with her own father."It basically stems from the idea of me trying to get over my daddy issues," she says. "I feel like I am constantly mourning not having the father that everyone else has." The title Hunger refers her need and desire for a positive male role model. "I crave my dad," Ebony says.  "I crave having that experience or that relationship, or being reared by a man."

Terrence McNally's acclaimed play Love! Valour! Compassion! made its Off-Broadway debut in 1994 and quickly started winning awards. It transitioned to Broadway the following year and was adapted as a feature film a couple of years after that. It's frequently hailed as McNally's finest work and has remained popular for the two decades since its original run.

This month at the Vortex, Generic Ensemble Company presents the new original work Robin Hood: An Elegy.

The play, written by Krysta Gonzales (with portions devised by the ensemble) invokes not just the legendary folk hero Robin Hood, but also the current movement #blacklivesmatter. In this story, Robin Hood transcends space and time to experience state-sanctioned violence throughout the centuries.

Last year, the folks at 7 Towers Theatre company made a decision to try and focus on smaller, more intimate shows this season. The result of that decision is their current production of Closer, a four-character dramatic comedy about, as director Amanda Gass says, "human relationships and the way that people are kind of messed up and treat each other poorly."

Mast, the current show from paper chairs, is a brand-new, world-premiere production. It's also a story that's been with playwright Elizabeth Doss for most of her life. Doss's grandmother, grandfather, and uncle all died before she was born; she never knew any of these people, but she's always been fascinated by them. "There were lots of things that happened in their family that were really peculiar and mysterious that have haunted my imagination since I was a kid," she says.

David Heymann is quick to point out that his debut book, My Beautiful City Austin, is not autobiographical.  He understands why people make the assumption, though; it's pretty common for first-time authors to create characters based on themselves, and his book's central character is a young man named David who is, like the author, an architect living in Austin.

In recent years, the production company Doctuh Mistuh has staged crowd-pleasing musical versions of Evil Dead, Silence of the Lambs, and Reefer Madness; it's safe to say that pop culture musical theater is in their wheelhouse. So it's not too surprising that they're the company that secured the rights to produce the regional premiere of Heathers, the Musical, based on the 1988 dark comedy cult film. 

Rich Merritt

Sky Candy has been producing aerial dance works for several years in Austin. Their seventh and latest full-scale work, Swings Asunder, is now being staged at the Rollins Studio Theater at the Long Center.

Like any Sky Candy production, Swings Asunder is the result of many artists (including dancers, aerialists, musicians, visual artists, and more) working together, but it's also a personal piece. 

The website Women Painting Women was launched several years ago by artists Alia El-Bermani, Diane Feissel and Sadie Valeri. The mission of the site was (and remains) fairly simple: to create an online space for female artists to share works which feature women as subject matter.