movies

Austin Film Festival

Disclosure: KUT is a media sponsor of the Austin Film Festival.

The Austin Film Festival kicks off today. Over the course of the festival, KUT News is featuring guest blogs from AFF staffers pointing to festival highlights. Today, Conference Director Erin Hallagan delivers her take on the festival, which she says is like convincing mom to stop at the candy store AND ice cream parlor all in one day.”

The crossover participation of those involved in the festival and conference this year is remarkable. Panelists are presenting films; filmmakers are speaking on panels; and of course registrants do their fair share of double-dipping as well.  And that’s what it’s all about.  The blend of the overall experience and its accessible interactivity is what makes Austin Film Festival truly unique. With a platter of incredibly active screenwriters and filmmakers, there is something for everyone and plenty of room for ideas to blossom.

Here’s some events and speakers that I wouldn’t miss:

SCREENING: Eric Roth presents “The Insider”

Friday, October 19th at 8:15 p.m.

Texas Spirit Theater

PANEL: A Conversation with Eric Roth

Saturday, October 20th at 9:00 a.m.

Driskill Hotel, Ballroom

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Disclosure: KUT is a media sponsor of the Austin Film Festival.

The Austin Film Festival kicks off tomorrow, and KUT News is featuring guest blogs from AFF staffers pointing to several festival highlights. Today we hear from festival founder and Executive Director Barbara Morgan on “family” themed films at the festival. But we’re not talking CGI pandas here - these films explore the bonds of family and community in a decidedly adult way:

As the Executive Director and founder of the Austin Film Festival, I have had the joy of “discovering” many films over the last nineteen years. The excitement that emanates from the perspective of these fresh voices is what makes my job unique. Anticipating the new talent which we get to introduce to the public is the inspiration that makes my job so thrilling. One of the themes which jumped out from this year’s crop of films was the idea of “family.” Each of these films is infused with the spirit of the most elemental aspect of the human existence.  Enjoy!

Liars, Fires and Bears

Nine year-old Eve, hardened by years of neglect as a foster child, never misses an opportunity. 

For Paul Thomas Anderson, moviemaking is not just an art; it's also about time management.

"At its best, a film set is when everybody knows what's going on and everybody's working together," he tells Fresh Air's Terry Gross. "At its worst, [it's] when something's been lost in communication and an actor's not sure how many shots are left or what's going on, and the makeup department's confused."

Lionsgate Entertainment

Today marks the start of the largest genre film festival in the United States – Fantastic Fest.

The festival is known for being a little out there, but Fantastic Fest and Alamo Drafthouse founder Tim League says that’s what makes it special.

“In the last five years or so it seems like it’s been the rise of the nerd,” League tells KUT News. In light of the comic book-based blockbusters filling theaters, League says the nerd demographic represents “a pretty significant arm of the spending economy and a lot of the movies coming out from Hollywood are geared towards us."

Many films set to premiere at this year’s festival many are highly anticipated by nerds and non-nerds alike. For example, writer/director Rian Johnson’s time-traveling  Looper is sure to get genre crowds excited. Also making a debut at the festival is a remake of the 1984 ‘the Soviets are invading’ flick Red Dawn

If you see the new Wes Anderson movie Moonrise Kingdom, you'll hear background music from composers Benjamin Britten and Alexandre Desplat, as well as several songs from Hank Williams.

Gavel photo courtesy flickr.com/safari_vacation; cattle photo courtesy Fox News 4 Dallas; Paramount photo by Teresa Vieira for KUT News

Poll Finds Most Texans Support the Death Penalty

A University of Texas/Texas Tribune poll shows that a majority of Texans support the death penalty.

The poll found 73 percent of respondents were strongly or somewhat supportive, while 21 percent were somewhat or strongly opposed. Five percent were unsure.

According to the poll, 51 percent of Texans believe the death penalty is fairly applied. Some 28 percent disagree, and 21 percent were unsure.

'Tim & Eric': Cult Comedians Boldly Go Gonzo

Mar 2, 2012

Picture in your mind John C. Reilly, dressed in a filthy shirt that is five sizes too small, rainbow suspenders holding up his shorts, facing off with a wolf he has lured out of hiding by duct-taping slices of pepperoni pizza to his torso.

Then imagine a 90-minute film in which that's one of the least bizarre images to pass before your eyes. Now you have a fairly accurate sense of what to expect of the first feature film from the creators of the cult-hit sketch-comedy program Tim and Eric Awesome Show, Great Job!

Photo courtesy flickr.com/chrisgallevo

You'd think owning the distribution rights to an Academy Award-nominated film might be enough, but the Alamo Drafthouse has never been known to rest on its laurels.

The Drafthouse Films distribution of “Bullhead” is only part of the story. In addition, the venerable local theater is announcing new developments almost daily.

Alamo Slaughter Lane Opens in March: The Circle C Alamo outpost will be opening in mere weeks, with an elaborate, “Little Shop of Horrors”-esque design. (It’s a nod to the nearby Lady Bird Johnson Wildflower Center, Drafthouse CEO Tim League tells Austin360 in a victory-lap interview.)  The grand opening is March 22, but an open-to-the-public soft launch begins March 8.

A triptych of chilly flicks blows into Austin theaters this weekend. Among the new releases: Indie-horror auteur Ti West’s “The Innkeepers;” “We Need to Talk About Kevin,” an austere drama anchored by Tilda Swinton; and “The Woman in Black,” released under the storied Hammer Films franchise with an up-and-coming young actor named Daniel Radcliffe. (Maybe you’ve heard of him?)

Austin audiences have had a few chances to catch “The Innkeepers” previously, having screened at South by Southwest and the Alamo Drafthouse’s Fantastic Fest. The follow-up to director West’s well-received “The House of the Devil,” “The Innkeepers” shares a similar retro-horror sensibility to his breakout film. Two slacker clerks at a storied northwestern inn investigate reports of workplace hauntings on the weekend the inn is slated to close. Suffice to say, mysterious visitors check in, nerves slowly fray, and plenty of things begin to go bump in the night. Light on gore and long on tension, “The Innkeepers” is certain to keep audiences unnerved.

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