Entertainment, live performance, food, cuisine, dining, theater, film, television, art, broadcasting, SXSW, and other arts and culture news in and around Austin and the Central Texas counties of Travis, Hays, Caldwell, Bastrop and Williamson
She isn’t really a Texan, per se, but her writing – mostly involving Latinos and Latino issues – has so resonated among Texas audiences that she was awarded the Texas Medal of the Arts. She was writer-in-residence at Our Lady of The Lake University in San Antonio once upon a time and received the Texas Institute of Letters Dobie Paisano Fellowship.
Cisneros is the author of “The House on Mango Street.” It’s a book so beloved that it’s required reading in middle schools, high schools and universities across the country. It’s sold over six million copies since its initial publication and it’s still selling strongly.
The dark comedy Mr. Burns, A Post-Electric play debuted to acclaim and award nominations in 2012, and this fall it makes its regional debut in Austin, courtesy of the theater program at St. Edward's University. David Long, artistic director of St. Ed's Mary Moody Northen Theatre, was keen to bring Mr. Burns to Austin because he was "excited about not only the premise, but the content, dealing with something that travels in time, and most importantly... the importance of community [and] theater."
From Farmshare Austin, this month's Get Involved spotlight organization: Farmshare Austin is a 501c3 that teaches organic agriculture and provides fresh produce to partnering nonprofits that alleviate hunger and supply nutritious food to low income individuals.
On this edition of In Black America, producer/host John L. Hanson Jr. speaks with Dr. Edward E. Baptist, Professor in the Department of History, and House Dean, Becker House at Cornell University.
Americans tend to cast slavery as a pre-modern institution—the nation’s original sin, perhaps, but isolated in time and divorced from America’s later success. But to do so robs the millions who suffered in bondage of their full legacy.
Celebrations for Hispanic Heritage Month begun nationwide on September 15, and will continue until October 15. It’s a period to recognize the contributions of Hispanics and Latinos to the country, and celebrate the group’s heritage and culture. But who exactly is a Hispanic person? And what’s the difference between being Hispanic and Latino?
People have talked for years about the death of the independent film industry. Seasoned filmmakers continue to leverage credit cards, family and friends to realize their creative visions. It’s a tough climate to find financing.
From Texas Standard: There are a lot of film festivals these days. Some focus on the work of one big director or actor – like the John Wayne Film Festival now in its fourth year in Dallas. Other festivals have a theme – perhaps it’s films by or about the LGBT community, or only documentaries.
Daily Buzz Producer/Host Irene Cho catches up with well-known Canadian movie critic/film writer-turned-director Katherine Monk and the subject of her documentary Rock the Box, Rhiannon Rozier (aka DJ Rhiannon) at the National Film Board of Canada (NFB) offices during the 40th Anniversary of the Toronto International Film Festival.
Daily Buzz Host John Wildman chats with director Alexandra-Terese Keining in the lobby of the Hilton Garden Inn Hotel during the 2015 Toronto International Film Festival about her film Girls Lost. The film centers on three teenage girls who magically turn into boys. Keining talks to Wildman about why she was inspired to make this film by YA author Jessica Schiefauer, whose novels have been banned in several schools in Sweden. They discuss magical realism, gender fluidity, bullying, and finding your true identity.
Daily Buzz speaks with renowned Italian film director Nanni Moretti mid-fest at the 40th Edition of the Toronto International Film Festival in the Empire Room of the Soho Metropolitan Hotel. Daily Buzz host John Wildman asks this former 2012 Cannes Jury President about debuting his film earlier this spring at Cannes, why he didn’t play the alter ego in this film — which is something he does often does in his films — what the film’s connection is to Italy and politics, working with John Turturro, and whether he considers this film a drama or a comedy.
Despite a war, changes to the Constitution and to state and federal laws, slavery continues to be very much a part of the American story. We've seen it echoed in the controversies around the use of police power and the consistent iconography of the confederacy.
But much of what we know about the first-hand experiences of slaves themselves comes from written accounts – transcribed interviews done in the 1930s using stereotyped misspellings.
Nat & Veronica (Nat Kusinitz and Veronica Hunsinger-Loe) are theater artists from New Orleans, and they're currently partnering with Austin's Rude Mechs to bring their show She Was Born to local audiences.
The argument could be made that what Larry McMurtry is to Texas letters, Joe Ely is to Texas music.
The characters that live in his songs run the gambit from lowlifes to the larger-than-life. Over the years, Ely has worked with the Clash to Linda Ronstadt to Bruce Springsteen, Jeff Tweedy, Lyle Lovett – truth be known, countless others.