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"Making art can be a solitary practice ... and we picked artists who are maybe stepping out in a new direction," says the Contemporary Austin's Andrea Mellard. "So our hope is that we can get a group together and they can support each other in this and give each other some feedback or some encouragement or some constructive criticism."
On this edition of In Black America, producer/host John L. Hanson Jr. speaks with Dr. Charles S. Corprew, III, Ph.D., founder and president of WYRevolution Consulting. Corprew, who has studied the issue of hypermasculinity, tells Hanson that African-American men have a responsibility to give back to younger men and that mentoring is key to more successful outcomes.
On a hot summer day in June, a crowd shuffled into an Alamo Drafthouse to catch a matinee. But the theater wasn't packed for your standard blockbuster with a big Hollywood name; the film was the brainchild of a group of teens.
In the new play TWENTYEIGHT, "six people ... come from different cities all over the country to this place called Settlement 40 where they build a space shuttle that's going to take them to a place called the Liberian Space Station, which was marketed to black families as a seperatist utopia," explains playwright Tyler English-Beckwith. "And [it's] set to the music of Kanye West."