Life & Arts

Courtesy "Transpecos"

From Texas Standard:

Every year, South by Southwest features films by and about Texans. Some of that is by design – there's a whole section of the fest designated to short films related to Texas. But other times, it's just that festival curators loved a film that happened to be about Texas.

Here's An Apple Pie Recipe For Any Texan Holiday

Dec 16, 2015
Image via Flickr/Steven Depolo (CC BY 2.0)

From Texas Standard:

Every Christmas my mom would bake eight pies: four apple and four pecan. Now, we wouldn’t eat all of those ourselves. Two would be given away to pie-less people and two would be placed in the deep freeze for some emergency of the future. Pies and money were similar in my mom’s mind. Save a fourth of everything in deep savings for some future need.

When baking these pies, she had a quite a memorable ritual she followed.


Courtesy of the Austin Film Festival

The 22nd Annual Austin Film Festival is getting underway. This year’s lineup includes more than 180 films – 20 of which are world or North American premieres.

The film festival and conference is unique because it was founded to recognize some of the less talked about people behind films – screenwriters. And that’s still true after 22 years. But the festival has also evolved a lot in recent years.

Image via facebook/7chinesebrothers

In the U.S. entertainment industry, there’s LA, there’s New York, and then there’s Texas — at least that’s what a lot of us have gotten used to hearing. But how far away is Texas from actually being that “third coast” in the biz? And what do new reductions in film incentives to do that image?

Drafthouse Films, Participant Media

From Texas Standard:

The 2013 film “The Act of Killing” broke the mold for documentary storytelling. It told the events of Indonesia's 1965 genocide — some estimate more than half a million people were purged following a coup —  from the perspective of the killers. The film even had the killers reenacting what they’d done.

Now, “The Look of Silence” tells the same story from another angle: that of those still living under the rule of the men who murdered their loved ones.