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	<description>Experience Austin Texas</description>
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	<itunes:subtitle>KUT 90.5 FM and KUT.org. Community Supported Public Radio From The University of Texas at Austin.</itunes:subtitle>
	<itunes:summary>KUT.org.  Experience Austin Texas.</itunes:summary>
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		<item>
		<title>This Week in Texas Music History: Robert Shaw</title>
		<link>http://kut.org/2012/05/this-week-in-texas-music-history-robert-shaw/</link>
		<comments>http://kut.org/2012/05/this-week-in-texas-music-history-robert-shaw/#comments</comments>
		<pubDate>Thu, 17 May 2012 21:21:09 +0000</pubDate>
		<dc:creator>Haley Howle</dc:creator>
				<category><![CDATA[This Week in Texas Music History]]></category>
		<category><![CDATA[latest]]></category>

		<guid isPermaLink="false">http://kut.org/?p=147804</guid>
		<description><![CDATA[<strong>Robert Shaw</strong> died on May 16, 1985. Born in Stafford, Texas, on August 9, 1908, Shaw was not allowed to study piano as a child, since his parents thought that was not appropriate for a boy. Undaunted, the young Shaw hid underneath the house and listened while his sister practiced her piano lessons. By the 1920s, Shaw had become an accomplished player of the barrelhouse piano style, also known as boogie-woogie, which combined blues, jazz, and the syncopated rhythms of ragtime.

Robert Shaw toured the country throughout the 1930s, before settling in East Austin, where he operated a grocery store for many years. During the 1960s, he was rediscovered by a younger generation of fans and soon was performing on stages throughout the world. Shaw was a dynamic performer who helped lay the foundation for Austin’s live music scene long before the city was known as the “Live Music Capital of the World.”

Next time on This Week in Texas Music History, we’ll learn about a record label that was a real feather in the cap of the Texas recording industry.]]></description>
			<content:encoded><![CDATA[<p>This Week in Texas Music History, we’ll meet a pioneer of barrelhouse piano who started his career underneath the house.</p>
<p><strong>Robert Shaw</strong> died on May 16, 1985. Born in Stafford, Texas, on August 9, 1908, Shaw was not allowed to study piano as a child, since his parents thought that was not appropriate for a boy. Undaunted, the young Shaw hid underneath the house and listened while his sister practiced her piano lessons. By the 1920s, Shaw had become an accomplished player of the barrelhouse piano style, also known as boogie-woogie, which combined blues, jazz, and the syncopated rhythms of ragtime.</p>
<p>Robert Shaw toured the country throughout the 1930s, before settling in East Austin, where he operated a grocery store for many years. During the 1960s, he was rediscovered by a younger generation of fans and soon was performing on stages throughout the world. Shaw was a dynamic performer who helped lay the foundation for Austin’s live music scene long before the city was known as the “Live Music Capital of the World.”</p>
<p>Next time on This Week in Texas Music History, we’ll learn about a record label that was a real feather in the cap of the Texas recording industry.</p>
]]></content:encoded>
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		<itunes:subtitle>Robert Shaw died on May 16, 1985. Born in Stafford, Texas, on August 9, 1908, Shaw was not allowed to study piano as a child, since his parents thought that was not appropriate for a boy. Undaunted, the young Shaw hid underneath the house and listen[...]</itunes:subtitle>
		<itunes:summary>Robert Shaw died on May 16, 1985. Born in Stafford, Texas, on August 9, 1908, Shaw was not allowed to study piano as a child, since his parents thought that was not appropriate for a boy. Undaunted, the young Shaw hid underneath the house and listened while his sister practiced her piano lessons. By the 1920s, Shaw had become an accomplished player of the barrelhouse piano style, also known as boogie-woogie, which combined blues, jazz, and the syncopated rhythms of ragtime.

Robert Shaw toured the country throughout the 1930s, before settling in East Austin, where he operated a grocery store for many years. During the 1960s, he was rediscovered by a younger generation of fans and soon was performing on stages throughout the world. Shaw was a dynamic performer who helped lay the foundation for Austin’s live music scene long before the city was known as the “Live Music Capital of the World.”

Next time on This Week in Texas Music History, we’ll learn about a record label that was a real feather in the cap of the Texas recording industry.</itunes:summary>
		<itunes:author>KUT 90.5 FM and KUT.org</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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		<item>
		<title>This Week In Texas Music History: The Chuck Wagon Gang</title>
		<link>http://kut.org/2012/05/this-week-in-texas-music-history-the-chuck-wagon-gang/</link>
		<comments>http://kut.org/2012/05/this-week-in-texas-music-history-the-chuck-wagon-gang/#comments</comments>
		<pubDate>Mon, 07 May 2012 10:00:34 +0000</pubDate>
		<dc:creator>Haley Howle</dc:creator>
				<category><![CDATA[This Week in Texas Music History]]></category>
		<category><![CDATA[latest]]></category>

		<guid isPermaLink="false">http://kut.org/?p=144751</guid>
		<description><![CDATA[Rosa Lola Carter, of the gospel quartet, the Chuck Wagon Gang, died on May 13, 1997.  Formed in Lubbock in 1935 by David Carter and three of his children, Ernest, Rosa Lola, and Effie, the group first performed on local radio as the Carter Quartet. By 1936, the Carters had moved to Fort Worth, where they landed their very own show on the powerful WBAP radio station. It was during this time that the program’s sponsor changed the group’s name to the Chuck Wagon Gang. The Chuck Wagon Gang soon became one of the most popular gospel groups in the country, selling millions of songbooks and records and making the very first recording of the classic gospel song, “I’ll Fly Away.”

Although the Chuck Wagon Gang has changed personnel several times over the years, the group continues to tour and perform throughout North America.

Next time on This Week in Texas Music History, we’ll meet a pioneer of barrelhouse piano who started his career underneath the house.]]></description>
			<content:encoded><![CDATA[<p>This Week in Texas Music History, we’ll meet the “other Carter Family” of American roots music.</p>
<p>Rosa Lola Carter, of the gospel quartet, the Chuck Wagon Gang, died on May 13, 1997.  Formed in Lubbock in 1935 by David Carter and three of his children, Ernest, Rosa Lola, and Effie, the group first performed on local radio as the Carter Quartet. By 1936, the Carters had moved to Fort Worth, where they landed their very own show on the powerful WBAP radio station. It was during this time that the program’s sponsor changed the group’s name to the Chuck Wagon Gang. The Chuck Wagon Gang soon became one of the most popular gospel groups in the country, selling millions of songbooks and records and making the very first recording of the classic gospel song, “I’ll Fly Away.”</p>
<p>Although the Chuck Wagon Gang has changed personnel several times over the years, the group continues to tour and perform throughout North America.</p>
<p>Next time on This Week in Texas Music History, we’ll meet a pioneer of barrelhouse piano who started his career underneath the house.</p>
]]></content:encoded>
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			<enclosure url="http://kut.org/podpress_trac/feed/144751/0/TWITMH-Chuck-Wagon-Gang.mp3" length="1" type="audio/mpeg" />
		<itunes:duration>0:00:01</itunes:duration>
		<itunes:subtitle>Rosa Lola Carter, of the gospel quartet, the Chuck Wagon Gang, died on May 13, 1997.  Formed in Lubbock in 1935 by David Carter and three of his children, Ernest, Rosa Lola, and Effie, the group first performed on local radio as the Carter Quartet. [...]</itunes:subtitle>
		<itunes:summary>Rosa Lola Carter, of the gospel quartet, the Chuck Wagon Gang, died on May 13, 1997.  Formed in Lubbock in 1935 by David Carter and three of his children, Ernest, Rosa Lola, and Effie, the group first performed on local radio as the Carter Quartet. By 1936, the Carters had moved to Fort Worth, where they landed their very own show on the powerful WBAP radio station. It was during this time that the program’s sponsor changed the group’s name to the Chuck Wagon Gang. The Chuck Wagon Gang soon became one of the most popular gospel groups in the country, selling millions of songbooks and records and making the very first recording of the classic gospel song, “I’ll Fly Away.”

Although the Chuck Wagon Gang has changed personnel several times over the years, the group continues to tour and perform throughout North America.

Next time on This Week in Texas Music History, we’ll meet a pioneer of barrelhouse piano who started his career underneath the house.</itunes:summary>
		<itunes:author>KUT 90.5 FM and KUT.org</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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		<item>
		<title>This Week in Texas Music History: Carl Gardner</title>
		<link>http://kut.org/2012/04/this-week-in-texas-music-history-carl-gardner/</link>
		<comments>http://kut.org/2012/04/this-week-in-texas-music-history-carl-gardner/#comments</comments>
		<pubDate>Mon, 30 Apr 2012 10:00:59 +0000</pubDate>
		<dc:creator>Haley Howle</dc:creator>
				<category><![CDATA[This Week in Texas Music History]]></category>
		<category><![CDATA[featured]]></category>

		<guid isPermaLink="false">http://kut.org/?p=142692</guid>
		<description><![CDATA[<strong>Carl Gardner</strong>, lead singer of the pop group the Coasters, was born on April 29, 1928, in Tyler, Texas. In the early 1950s, Gardner moved to Southern California and started the doo-wop band the Robins. By 1955, Gardner and bassist Bobby Nunn had relocated to New York and formed a new group, the Coasters. The Coasters released their first recording, “Down in Mexico,” in 1956 and followed this with several other hits, including “Charlie Brown,” “Young Blood,” and “Poison Ivy.”

In 1958, the Coasters released what became perhaps their best-known song, “Yakety Yak,” featuring fellow Texan King Curtis on saxophone.

Next time on This Week in Texas Music History, we will meet the “other Carter Family” of American roots music.]]></description>
			<content:encoded><![CDATA[<p>This Week in Texas Music History, we meet a singer who was itching to make it in the music business.</p>
<p><strong>Carl Gardner</strong>, lead singer of the pop group the Coasters, was born on April 29, 1928, in Tyler, Texas. In the early 1950s, Gardner moved to Southern California and started the doo-wop band the Robins. By 1955, Gardner and bassist Bobby Nunn had relocated to New York and formed a new group, the Coasters. The Coasters released their first recording, “Down in Mexico,” in 1956 and followed this with several other hits, including “Charlie Brown,” “Young Blood,” and “Poison Ivy.”</p>
<p>In 1958, the Coasters released what became perhaps their best-known song, “Yakety Yak,” featuring fellow Texan King Curtis on saxophone.</p>
<p>Next time on This Week in Texas Music History, we will meet the “other Carter Family” of American roots music.</p>
]]></content:encoded>
			<wfw:commentRss>http://kut.org/2012/04/this-week-in-texas-music-history-carl-gardner/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://kut.org/podpress_trac/feed/142692/0/TWITMH-Carl-Gardner.mp3" length="1" type="audio/mpeg" />
		<itunes:duration>0:00:01</itunes:duration>
		<itunes:subtitle>Carl Gardner, lead singer of the pop group the Coasters, was born on April 29, 1928, in Tyler, Texas. In the early 1950s, Gardner moved to Southern California and started the doo-wop band the Robins. By 1955, Gardner and bassist Bobby Nunn had reloc[...]</itunes:subtitle>
		<itunes:summary>Carl Gardner, lead singer of the pop group the Coasters, was born on April 29, 1928, in Tyler, Texas. In the early 1950s, Gardner moved to Southern California and started the doo-wop band the Robins. By 1955, Gardner and bassist Bobby Nunn had relocated to New York and formed a new group, the Coasters. The Coasters released their first recording, “Down in Mexico,” in 1956 and followed this with several other hits, including “Charlie Brown,” “Young Blood,” and “Poison Ivy.”

In 1958, the Coasters released what became perhaps their best-known song, “Yakety Yak,” featuring fellow Texan King Curtis on saxophone.

Next time on This Week in Texas Music History, we will meet the “other Carter Family” of American roots music.</itunes:summary>
		<itunes:author>KUT 90.5 FM and KUT.org</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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	</item>
		<item>
		<title>This Week in Texas Music History: Sacred Harp Singing</title>
		<link>http://kut.org/2012/04/this-week-in-texas-music-history-sacred-harp-singing/</link>
		<comments>http://kut.org/2012/04/this-week-in-texas-music-history-sacred-harp-singing/#comments</comments>
		<pubDate>Mon, 23 Apr 2012 10:00:10 +0000</pubDate>
		<dc:creator>Haley Howle</dc:creator>
				<category><![CDATA[This Week in Texas Music History]]></category>
		<category><![CDATA[latest]]></category>

		<guid isPermaLink="false">http://kut.org/?p=140598</guid>
		<description><![CDATA[This Week in Texas Music History, we’ll learn about one of the oldest and most distinctive musical traditions in Texas. On April 28, 1900, the South Union Singing Convention first met at the Round Top schoolhouse in Caldwell County, Texas. Later renamed the Southwest Texas Sacred Harp Singing Convention, the group performs sacred harp, or shape note, singing. Popular throughout the American South, sacred harp singing derives from Benjamin White and Elisha King’s hymnal the <em>Sacred Harp</em>, published in 1844. Singers perform <em>a cappella</em> facing each other in a large square and use hymn books which contain specially shaped symbols to represent notes.
<div>

The Southwest Texas Sacred Singing Harp Convention continues to perform rgularly, helping to preserve this unique musical tradition.

Next time on This Week in Texas Music History, we meet a singer who was itching to make it in the music business.]]></description>
			<content:encoded><![CDATA[<p>This Week in Texas Music History, we’ll learn about one of the oldest and most distinctive musical traditions in Texas.</p>
<p>On April 28, 1900, the South Union Singing Convention first met at the Round Top schoolhouse in Caldwell County, Texas. Later renamed the Southwest Texas Sacred Harp Singing Convention, the group performs sacred harp, or shape note, singing. Popular throughout the American South, sacred harp singing derives from Benjamin White and Elisha King’s hymnal the <em>Sacred Harp</em>, published in 1844. Singers perform <em>a cappella</em> facing each other in a large square and use hymn books which contain specially shaped symbols to represent notes.</p>
<div>
<p>The Southwest Texas Sacred Singing Harp Convention continues to perform rgularly, helping to preserve this unique musical tradition.</p>
<p>Next time on This Week in Texas Music History, we meet a singer who was itching to make it in the music business.</p>
</div>
]]></content:encoded>
			<wfw:commentRss>http://kut.org/2012/04/this-week-in-texas-music-history-sacred-harp-singing/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://kut.org/podpress_trac/feed/140598/0/TWITMH-Sacred-Harp-Singing.mp3" length="1" type="audio/mpeg" />
		<itunes:duration>0:00:01</itunes:duration>
		<itunes:subtitle>This Week in Texas Music History, we’ll learn about one of the oldest and most distinctive musical traditions in Texas. On April 28, 1900, the South Union Singing Convention first met at the Round Top schoolhouse in Caldwell County, Texas. Later r[...]</itunes:subtitle>
		<itunes:summary>This Week in Texas Music History, we’ll learn about one of the oldest and most distinctive musical traditions in Texas. On April 28, 1900, the South Union Singing Convention first met at the Round Top schoolhouse in Caldwell County, Texas. Later renamed the Southwest Texas Sacred Harp Singing Convention, the group performs sacred harp, or shape note, singing. Popular throughout the American South, sacred harp singing derives from Benjamin White and Elisha King’s hymnal the Sacred Harp, published in 1844. Singers perform a cappella facing each other in a large square and use hymn books which contain specially shaped symbols to represent notes.


The Southwest Texas Sacred Singing Harp Convention continues to perform rgularly, helping to preserve this unique musical tradition.

Next time on This Week in Texas Music History, we meet a singer who was itching to make it in the music business.</itunes:summary>
		<itunes:author>KUT 90.5 FM and KUT.org</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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	</item>
		<item>
		<title>This Week in Texas Music History: Clarence &#8220;Gatemouth&#8221; Brown</title>
		<link>http://kut.org/2012/04/this-week-in-texas-music-history-clarence-gatemouth-brown/</link>
		<comments>http://kut.org/2012/04/this-week-in-texas-music-history-clarence-gatemouth-brown/#comments</comments>
		<pubDate>Mon, 16 Apr 2012 10:00:56 +0000</pubDate>
		<dc:creator>Haley Howle</dc:creator>
				<category><![CDATA[This Week in Texas Music History]]></category>
		<category><![CDATA[featured]]></category>

		<guid isPermaLink="false">http://kut.org/?p=138808</guid>
		<description><![CDATA[This Week in Texas Music History, we honor a man who helped inspire the creation of one of the state’s most popular record labels. Clarence “Gatemouth” Brown was born in Vinton, Louisiana, on April 18, 1924. When he was three weeks old, Brown’s family moved to Orange, Texas, where he absorbed the diverse musical influences found along the Texas-Louisiana border. By the 1940s, Brown was an accomplished singer, guitarist, and fiddler who played blues, Cajun, country, and R&#038;B. Brown’s career received a boost when T-Bone Walker became too sick to perform at Houston’s Bronze Peacock club. Gatemouth Brown jumped on stage and improvised a blues song that soon had the audience cheering.

Gatemouth Brown’s impromptu performance impressed the owner of the Bronze Peacock, Don Robey, who began managing and recording him. Based largely on Brown’s popularity, Robey founded Peacock Records, which became one of the state’s most popular labels.

Next time on This Week in Texas Music History, we’ll learn about one of the oldest and most distinctive musical traditions in Texas.]]></description>
			<content:encoded><![CDATA[<p>This Week in Texas Music History, we honor a man who helped inspire the creation of one of the state’s most popular record labels.</p>
<p>Clarence “Gatemouth” Brown was born in Vinton, Louisiana, on April 18, 1924. When he was three weeks old, Brown’s family moved to Orange, Texas, where he absorbed the diverse musical influences found along the Texas-Louisiana border. By the 1940s, Brown was an accomplished singer, guitarist, and fiddler who played blues, Cajun, country, and R&amp;B. Brown’s career received a boost when T-Bone Walker became too sick to perform at Houston’s Bronze Peacock club. Gatemouth Brown jumped on stage and improvised a blues song that soon had the audience cheering.</p>
<p>Gatemouth Brown’s impromptu performance impressed the owner of the Bronze Peacock, Don Robey, who began managing and recording him. Based largely on Brown’s popularity, Robey founded Peacock Records, which became one of the state’s most popular labels.</p>
<p>Next time on This Week in Texas Music History, we’ll learn about one of the oldest and most distinctive musical traditions in Texas.</p>
]]></content:encoded>
			<wfw:commentRss>http://kut.org/2012/04/this-week-in-texas-music-history-clarence-gatemouth-brown/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://kut.org/podpress_trac/feed/138808/0/TWITMH-Gatemouth.mp3" length="1" type="audio/mpeg" />
		<itunes:duration>0:00:01</itunes:duration>
		<itunes:subtitle>This Week in Texas Music History, we honor a man who helped inspire the creation of one of the state’s most popular record labels. Clarence “Gatemouth” Brown was born in Vinton, Louisiana, on April 18, 1924. When he was three weeks old, Brown[...]</itunes:subtitle>
		<itunes:summary>This Week in Texas Music History, we honor a man who helped inspire the creation of one of the state’s most popular record labels. Clarence “Gatemouth” Brown was born in Vinton, Louisiana, on April 18, 1924. When he was three weeks old, Brown’s family moved to Orange, Texas, where he absorbed the diverse musical influences found along the Texas-Louisiana border. By the 1940s, Brown was an accomplished singer, guitarist, and fiddler who played blues, Cajun, country, and R&#038;B. Brown’s career received a boost when T-Bone Walker became too sick to perform at Houston’s Bronze Peacock club. Gatemouth Brown jumped on stage and improvised a blues song that soon had the audience cheering.

Gatemouth Brown’s impromptu performance impressed the owner of the Bronze Peacock, Don Robey, who began managing and recording him. Based largely on Brown’s popularity, Robey founded Peacock Records, which became one of the state’s most popular labels.

Next time on This Week in Texas Music History, we’ll learn about one of the oldest and most distinctive musical traditions in Texas.</itunes:summary>
		<itunes:author>KUT 90.5 FM and KUT.org</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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		<title>This Week in Texas Music History: Woody Guthrie</title>
		<link>http://kut.org/2012/04/this-week-in-texas-music-history-woody-guthrie/</link>
		<comments>http://kut.org/2012/04/this-week-in-texas-music-history-woody-guthrie/#comments</comments>
		<pubDate>Mon, 09 Apr 2012 10:00:50 +0000</pubDate>
		<dc:creator>Haley Howle</dc:creator>
				<category><![CDATA[This Week in Texas Music History]]></category>

		<guid isPermaLink="false">http://kut.org/?p=137081</guid>
		<description><![CDATA[This Week in Texas Music History, we’ll recall a natural disaster that inspired a folk anthem. On April 14, 1935, an enormous dust storm blew through the Texas Panhandle, inundating the small town of Pampa. <strong>Woody Guthrie</strong>, born in Oklahoma on July 14, 1912, had moved to Pampa, Texas, in 1931 to live with his uncle. While in Pampa, Guthrie first began performing publicly. By the time the Great Dust Bowl hit in the mid-1930s, Guthrie was writing many of his own songs about the widespread suffering brought on by the Great Depression. The April 14<sup>th</sup> dust storm that buried Pampa convinced Guthrie and many others to pack up and leave for California. It also inspired one of Guthrie’s best-known tunes.

The difficult years he spent in the Texas Panhandle helped launch Woody Guthrie’s musical career and put him on the path to becoming one of this country’s most prolific and influential songwriters.

Next time on This Week in Texas Music History, we’ll honor a man who helped inspire the creation of one of the state’s most popular record labels.]]></description>
			<content:encoded><![CDATA[<p>This Week in Texas Music History, we’ll recall a natural disaster that inspired a folk anthem.</p>
<p>On April 14, 1935, an enormous dust storm blew through the Texas Panhandle, inundating the small town of Pampa. <strong>Woody Guthrie</strong>, born in Oklahoma on July 14, 1912, had moved to Pampa, Texas, in 1931 to live with his uncle. While in Pampa, Guthrie first began performing publicly. By the time the Great Dust Bowl hit in the mid-1930s, Guthrie was writing many of his own songs about the widespread suffering brought on by the Great Depression. The April 14<sup>th</sup> dust storm that buried Pampa convinced Guthrie and many others to pack up and leave for California. It also inspired one of Guthrie’s best-known tunes.</p>
<p>The difficult years he spent in the Texas Panhandle helped launch Woody Guthrie’s musical career and put him on the path to becoming one of this country’s most prolific and influential songwriters.</p>
<p>Next time on This Week in Texas Music History, we’ll honor a man who helped inspire the creation of one of the state’s most popular record labels.</p>
]]></content:encoded>
			<wfw:commentRss>http://kut.org/2012/04/this-week-in-texas-music-history-woody-guthrie/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://kut.org/podpress_trac/feed/137081/0/TWITMH-Woody-Guthrie.mp3" length="1" type="audio/mpeg" />
		<itunes:duration>0:00:01</itunes:duration>
		<itunes:subtitle>This Week in Texas Music History, we’ll recall a natural disaster that inspired a folk anthem. On April 14, 1935, an enormous dust storm blew through the Texas Panhandle, inundating the small town of Pampa. Woody Guthrie, born in Oklahoma on July [...]</itunes:subtitle>
		<itunes:summary>This Week in Texas Music History, we’ll recall a natural disaster that inspired a folk anthem. On April 14, 1935, an enormous dust storm blew through the Texas Panhandle, inundating the small town of Pampa. Woody Guthrie, born in Oklahoma on July 14, 1912, had moved to Pampa, Texas, in 1931 to live with his uncle. While in Pampa, Guthrie first began performing publicly. By the time the Great Dust Bowl hit in the mid-1930s, Guthrie was writing many of his own songs about the widespread suffering brought on by the Great Depression. The April 14th dust storm that buried Pampa convinced Guthrie and many others to pack up and leave for California. It also inspired one of Guthrie’s best-known tunes.

The difficult years he spent in the Texas Panhandle helped launch Woody Guthrie’s musical career and put him on the path to becoming one of this country’s most prolific and influential songwriters.

Next time on This Week in Texas Music History, we’ll honor a man who helped inspire the creation of one of the state’s most popular record labels.</itunes:summary>
		<itunes:author>KUT 90.5 FM and KUT.org</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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	</item>
		<item>
		<title>This Week in Texas Music History: Dean Beard</title>
		<link>http://kut.org/2012/04/this-week-in-texas-music-history-dean-beard/</link>
		<comments>http://kut.org/2012/04/this-week-in-texas-music-history-dean-beard/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 10:00:01 +0000</pubDate>
		<dc:creator>Haley Howle</dc:creator>
				<category><![CDATA[This Week in Texas Music History]]></category>

		<guid isPermaLink="false">http://kut.org/?p=133676</guid>
		<description><![CDATA[This Week in Texas Music History, we’ll meet a West Texas wild man who contributed to both 1950s rockabilly and 1970s pop.
Rockabilly pioneer <strong>Dean Beard</strong> died on April 4, 1989. Born in Santa Anna, Texas, on August 31, 1935, Beard was still a teenager when he befriended a young singer named Elvis Presley, who was touring throughout West Texas in 1955. Inspired by Elvis’s growing popularity, Beard traveled to Sun Records in Memphis to record in 1956. However, Sun Records didn’t sign Beard, so, he returned to the Lone Star State. Nicknamed “the West Texas Wild Man,” Dean Beard became popular for his energetic performances and such rocking numbers as “Rakin’ and Scrapin’.”]]></description>
			<content:encoded><![CDATA[<div>
<p>This Week in Texas Music History, we’ll meet a West Texas wild man who contributed to both 1950s rockabilly and 1970s pop.</p>
</div>
<p>Rockabilly pioneer <strong>Dean Beard</strong> died on April 4, 1989. Born in Santa Anna, Texas, on August 31, 1935, Beard was still a teenager when he befriended a young singer named Elvis Presley, who was touring throughout West Texas in 1955. Inspired by Elvis’s growing popularity, Beard traveled to Sun Records in Memphis to record in 1956. However, Sun Records didn’t sign Beard, so, he returned to the Lone Star State. Nicknamed “the West Texas Wild Man,” Dean Beard became popular for his energetic performances and such rocking numbers as “Rakin’ and Scrapin’.”</p>
<div>
<p>Although never well-known outside of West Texas, Dean Beard had a strong regional following. He also performed for a while with local Texas artists, James Seals and Dash Crofts, who went on to form the highly-successful 1970s pop duo, Seals and Crofts.</p>
</div>
<p>Next time on This Week in Texas Music History, we’ll recall a natural disaster that inspired a folk anthem</p>
]]></content:encoded>
			<wfw:commentRss>http://kut.org/2012/04/this-week-in-texas-music-history-dean-beard/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://kut.org/podpress_trac/feed/133676/0/TWITMH-205-Dean-Beard-MIX.mp3" length="1" type="audio/mpeg" />
		<itunes:duration>0:00:01</itunes:duration>
		<itunes:subtitle>This Week in Texas Music History, we’ll meet a West Texas wild man who contributed to both 1950s rockabilly and 1970s pop.
Rockabilly pioneer Dean Beard died on April 4, 1989. Born in Santa Anna, Texas, on August 31, 1935, Beard was still a teena[...]</itunes:subtitle>
		<itunes:summary>This Week in Texas Music History, we’ll meet a West Texas wild man who contributed to both 1950s rockabilly and 1970s pop.
Rockabilly pioneer Dean Beard died on April 4, 1989. Born in Santa Anna, Texas, on August 31, 1935, Beard was still a teenager when he befriended a young singer named Elvis Presley, who was touring throughout West Texas in 1955. Inspired by Elvis’s growing popularity, Beard traveled to Sun Records in Memphis to record in 1956. However, Sun Records didn’t sign Beard, so, he returned to the Lone Star State. Nicknamed “the West Texas Wild Man,” Dean Beard became popular for his energetic performances and such rocking numbers as “Rakin’ and Scrapin’.”</itunes:summary>
		<itunes:author>KUT 90.5 FM and KUT.org</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
		<enclosure url="http://kut.org/wp-content/uploads/2012/03/TWITMH-205-Dean-Beard-MIX.mp3" length="2395595" type="audio/mpeg" />
	</item>
		<item>
		<title>This Week in Texas Music History: Arlie Duff</title>
		<link>http://kut.org/2012/03/this-week-in-texas-music-history-arlie-duff/</link>
		<comments>http://kut.org/2012/03/this-week-in-texas-music-history-arlie-duff/#comments</comments>
		<pubDate>Mon, 26 Mar 2012 10:00:42 +0000</pubDate>
		<dc:creator>Haley Howle</dc:creator>
				<category><![CDATA[This Week in Texas Music History]]></category>

		<guid isPermaLink="false">http://kut.org/?p=133610</guid>
		<description><![CDATA[This Week in Texas Music History, we’ll meet a singing schoolteacher whose hit song landed him in the national spotlight.]]></description>
			<content:encoded><![CDATA[<div>
<p>This Week in Texas Music History, we’ll meet a singing schoolteacher whose hit song landed him in the national spotlight.</p>
</div>
<p><strong>Arlie Duff</strong> was born March 28, 1924, in Jack’s Branch, Texas. After serving in the U.S. Navy in World War II, Duff earned a Masters degree in education. While teaching school, he dabbled in songwriting and performed locally throughout East Texas. In 1953, Duff wrote a song that earned him national fame and appearances on the Louisiana Hayride and the Grand Ole Opry.</p>
<div>
<p>Arlie Duff’s “Y’all Come,” became the theme song for KNUZ-TV’s <em>Houston Hometown Jamboree </em>during the mid-1950s. The rousing number also has been recorded by Bing Crosby, Buck Owens, Dolly Parton, and many others.</p>
<p>Next time on This Week in Texas Music History, we’ll meet a West Texas wild man who contributed to both 1950s rockabilly and 1970s pop.</p>
</div>
]]></content:encoded>
			<wfw:commentRss>http://kut.org/2012/03/this-week-in-texas-music-history-arlie-duff/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://kut.org/podpress_trac/feed/133610/0/TWITMH-Arlie-Duff.mp3" length="1" type="audio/mpeg" />
		<itunes:duration>0:00:01</itunes:duration>
		<itunes:subtitle>This Week in Texas Music History, we’ll meet a singing schoolteacher whose hit song landed him in the national spotlight.</itunes:subtitle>
		<itunes:summary>This Week in Texas Music History, we’ll meet a singing schoolteacher whose hit song landed him in the national spotlight.</itunes:summary>
		<itunes:author>KUT 90.5 FM and KUT.org</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
		<enclosure url="http://kut.org/wp-content/uploads/2012/03/TWITMH-Arlie-Duff.mp3" length="2405517" type="audio/mpeg" />
	</item>
		<item>
		<title>This Week in Texas Music History: Roy Montelongo</title>
		<link>http://kut.org/2012/03/this-week-in-texas-music-history-roy-montelongo/</link>
		<comments>http://kut.org/2012/03/this-week-in-texas-music-history-roy-montelongo/#comments</comments>
		<pubDate>Mon, 19 Mar 2012 10:00:51 +0000</pubDate>
		<dc:creator>Haley Howle</dc:creator>
				<category><![CDATA[This Week in Texas Music History]]></category>

		<guid isPermaLink="false">http://kut.org/?p=130883</guid>
		<description><![CDATA[This Week in Texas Music History, we’ll meet a musician whose legacy quite literally helped leave a trail for others to follow.]]></description>
			<content:encoded><![CDATA[<p>This Week in Texas Music History, we’ll meet a musician whose legacy quite literally helped leave a trail for others to follow.</p>
<p>On March 19, 2004, the Tejano Artist Music Museum honored Roy Montelongo with its Pioneer Award. Montelongo was born September 21, 1938, in Hays County, just south of Austin. At age fifteen, he followed in his father’s footsteps by joining Beto Villa’s band as a saxophonist. Montelongo also played with Isidro López and Alfonso Ramos before striking out on his own in 1964. As a singer and saxophonist, Montelongo appeared regularly on radio and recorded more than twenty albums during his career.</p>
<p>In 1991, Roy Montelongo was inducted into the Tejano Music Hall of Fame. More recently, the Austin Latino Music Association commemorated this pioneering artist with the “Roy Montelongo Scenic Overlook” on its Trail of Tejano Legends.</p>
<p>Next time on This Week in Texas Music History, we’ll meet a singing schoolteacher whose hit song landed him in the national spotlight.</p>
]]></content:encoded>
			<wfw:commentRss>http://kut.org/2012/03/this-week-in-texas-music-history-roy-montelongo/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://kut.org/podpress_trac/feed/130883/0/TWITMH-Roy-Montelongo-MIX.mp3" length="1" type="audio/mpeg" />
		<itunes:duration>0:00:01</itunes:duration>
		<itunes:subtitle>This Week in Texas Music History, we’ll meet a musician whose legacy quite literally helped leave a trail for others to follow.</itunes:subtitle>
		<itunes:summary>This Week in Texas Music History, we’ll meet a musician whose legacy quite literally helped leave a trail for others to follow.</itunes:summary>
		<itunes:author>KUT 90.5 FM and KUT.org</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
		<enclosure url="http://kut.org/wp-content/uploads/2012/03/TWITMH-Roy-Montelongo-MIX.mp3" length="0" type="audio/mpeg" />
	</item>
		<item>
		<title>This Week in Texas Music History: Bruce Springsteen</title>
		<link>http://kut.org/2012/03/this-week-in-texas-music-history-bruce-springsteen/</link>
		<comments>http://kut.org/2012/03/this-week-in-texas-music-history-bruce-springsteen/#comments</comments>
		<pubDate>Mon, 12 Mar 2012 10:00:04 +0000</pubDate>
		<dc:creator>Haley Howle</dc:creator>
				<category><![CDATA[This Week in Texas Music History]]></category>

		<guid isPermaLink="false">http://kut.org/?p=130059</guid>
		<description><![CDATA[This Week in Texas Music History, we’ll recall a special evening when the “Boss” showed up early for work. 
On March 14, 1974, Austin music fans got a pleasant surprise. A young New Jersey rocker named <strong>Bruce Springsteen</strong> arrived a day early for his two-night stint at the Armadillo World Headquarters. Local fiddle player, Alvin Crow, was performing that evening, and he invited the somewhat anxious Springsteen out on stage to perform. Springsteen quickly overcame his nervousness and gave a blistering performance that helped fill the large music hall for the next two nights.

Tickets to the 1974 Alvin Crow concert at which Bruce Springsteen performed were only $1. However, according to some of those lucky enough to attend, the experience was priceless.

Next time on This Week in Texas History, we’ll meet a musician whose legacy quite literally helped leave a trail for others to follow.]]></description>
			<content:encoded><![CDATA[<p>This Week in Texas Music History, we’ll recall a special evening when the “Boss” showed up early for work.</p>
<p>On March 14, 1974, Austin music fans got a pleasant surprise. A young New Jersey rocker named <strong>Bruce Springsteen</strong> arrived a day early for his two-night stint at the Armadillo World Headquarters. Local fiddle player, Alvin Crow, was performing that evening, and he invited the somewhat anxious Springsteen out on stage to perform. Springsteen quickly overcame his nervousness and gave a blistering performance that helped fill the large music hall for the next two nights.</p>
<p>Tickets to the 1974 Alvin Crow concert at which Bruce Springsteen performed were only $1. However, according to some of those lucky enough to attend, the experience was priceless.</p>
<p>Next time on This Week in Texas History, we’ll meet a musician whose legacy quite literally helped leave a trail for others to follow.</p>
]]></content:encoded>
			<wfw:commentRss>http://kut.org/2012/03/this-week-in-texas-music-history-bruce-springsteen/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://kut.org/podpress_trac/feed/130059/0/TWITMH-Bruce-Springsteen-MIX.mp3" length="1" type="audio/mpeg" />
		<itunes:duration>0:00:01</itunes:duration>
		<itunes:subtitle>This Week in Texas Music History, we’ll recall a special evening when the “Boss” showed up early for work. 
On March 14, 1974, Austin music fans got a pleasant surprise. A young New Jersey rocker named Bruce Springsteen arrived a day early fo[...]</itunes:subtitle>
		<itunes:summary>This Week in Texas Music History, we’ll recall a special evening when the “Boss” showed up early for work. 
On March 14, 1974, Austin music fans got a pleasant surprise. A young New Jersey rocker named Bruce Springsteen arrived a day early for his two-night stint at the Armadillo World Headquarters. Local fiddle player, Alvin Crow, was performing that evening, and he invited the somewhat anxious Springsteen out on stage to perform. Springsteen quickly overcame his nervousness and gave a blistering performance that helped fill the large music hall for the next two nights.

Tickets to the 1974 Alvin Crow concert at which Bruce Springsteen performed were only $1. However, according to some of those lucky enough to attend, the experience was priceless.

Next time on This Week in Texas History, we’ll meet a musician whose legacy quite literally helped leave a trail for others to follow.</itunes:summary>
		<itunes:author>KUT 90.5 FM and KUT.org</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
		<enclosure url="http://kut.org/wp-content/uploads/2012/03/TWITMH-Bruce-Springsteen-MIX.mp3" length="2413029" type="audio/mpeg" />
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